Skip to main content
BoF Logo

Agenda-setting intelligence, analysis and advice for the global fashion community.

A 21st Century Scheherazade at Armani Privé

This season Armani explored another flavour in his nomadic palette: orange — with black and silver accents. The contrast twisted the collection eastwards, to the regions whose couture clients lined the front row.
Giorgio Armani Privé | Source: InDigital.tv
By
  • Tim Blanks

PARIS, France — If one more person had said, "Orange is the new black," after Giorgio Armani's couture show on Tuesday night, I might have hurled a pumpkin at them. But at that point I didn't know that one of orange's traditional connotations is "emotional strength in difficult times," so I ought to have been thanking Mr Armani for his succour. And there was one dress, at least — a one-shouldered affair in plissé silk organza — that embodied exactly why he would have chosen such a definitive, polarising shade for Privé. It was every resistance-is-futile thing you could wish for in orange.

You could attach other rationales to Armani's decision. The contrariness, for one thing, like doing a whole collection in green. But the deep, warm blues of North African desert skies have yielded the biggest dividends for the designer in recent years, and orange gave him an opportunity to explore another flavour in that nomadic palette. It would have made a wonderful combination with the blue. Instead, he favoured black and silver as the accents here, for orange in every shade from sunset to peach. Undoubtedly more dramatic, the contrast also twisted the collection eastwards, to the regions whose couture clients lined the front row. A printed silk group had the gauzy intensity of sunset through sandstorm. And the handful of jackets and pants that opened the show could have been daywear for a 21st century Scheherazade, so subtly but richly decorated were they.

© 2026 The Business of Fashion. All rights reserved. For more information read our Terms & Conditions

More from Fashion Week
Independent show reviews from fashion’s top critics.

Question Time in Paris

It’s not an existential crisis — yet — but Rick Owens and Daniel Roseberry confront some headscratchers in their latest collections.


Clash of the New Titans

Haider at Tom Ford, Pieter at Alaïa, comings and goings in fashion, and Nico at Courrèges coming up fast, all of it leading to a day of dynamic fashion in Paris, writes Tim Blanks.


Paris Day Three: Variables and Constants

One of the busiest days of Paris fashion week featured a hello at Balmain, a goodbye at Alaïa and variations on signature visions at Courrèges, The Row, Dries Van Noten and Tom Ford.


view more
Latest News & Analysis
Unrivalled, world class journalism across fashion, luxury and beauty industries.

Question Time in Paris

It’s not an existential crisis — yet — but Rick Owens and Daniel Roseberry confront some headscratchers in their latest collections.


Can Big Luxury Find Its New Look?

Sex sells — if anyone can figure out what sexy means in 2026. Robert Williams tracks the search for a new silhouette at Kering’s Gucci, LVMH’s Dior and more.


VIEW MORE
Agenda-setting intelligence, analysis and advice for the global fashion community.
CONNECT WITH US ON