Skip to main content
BoF Logo

Agenda-setting intelligence, analysis and advice for the global fashion community.

At Fendi, German Geniuses Collide

Karl Lagerfeld paid Albert Einstein a sort-of tribute by visualising gravitational waves throughout the Fendi collection, which was rich in texture, fabric and detail.
Fendi Autumn/Winter 2016 | Source: InDigital.tv
By
  • Tim Blanks

MILAN, Italy — A couple of weeks back, the last prediction of Albert Einstein's Theory of Relativity — the one about gravitational waves — was proved, a hundred years after he made it. "Another bloody German," said Karl Lagerfeld after the Fendi show this morning. Was that a moment of not-quite national pride?

Ambiguity aside, Lagerfeld did pay Einstein a sort-of tribute by visualising gravitational waves throughout the Fendi collection, in everything from the undulations down Edie Campbell's arms to the wavy patterns on a Dalmatian-spotted fur jacket — to the leather that rippled weirdly round the thigh-high boots. "Don't call them ruffles!" Lagerfeld snapped, immediately detailing on his ever-present sketchpad how a wave differed from a ruffle.

It was, in fact, less the pure science of gravitational waves than waves of creativity that the Fendi collection was celebrating. And, in the way that fashion shows can make a quantum leap from designer inspiration to runway realisation, the Burning Man Festival somehow inserted itself into the story, hence Peter Philips's subtle face-painting. Unlikely as that sounds, it almost fit. Fendi has never been afraid of a little iconoclasm. But there wasn't really much of that on display here. Instead, Lagerfeld offered up a collection that was rich in texture (the fur, obviously), fabric (sumptuous coppery jacquards) and detail (the floral motifs that were lifted from 18th century Japanese botanical paintings).

A Fendi collection always recreates the present with one foot in the past and the other in the future. Lagerfeld promptly quoted Goethe, the third German of the day, as to why this was a bare necessity. Here, there were mumsy dresses that wouldn’t have looked out of place on Einstein’s wife next to abbreviated outfits that had a space age kick (those boots certainly helped). And those timelessly glamorous jacquards, of course. It is the essence of Fendi that they sat together strangely, harmony being something that Lagerfeld doesn’t seem particularly concerned about. “I’m always on the border of throwing everything out,” he conceded. But gravity wouldn’t let him.

For full coverage, visit BoF Fashion Week.

© 2026 The Business of Fashion. All rights reserved. For more information read our Terms & Conditions

More from Fashion Week
Independent show reviews from fashion’s top critics.

Clash of the New Titans

Haider at Tom Ford, Pieter at Alaïa, comings and goings in fashion, and Nico at Courrèges coming up fast, all of it leading to a day of dynamic fashion in Paris, writes Tim Blanks.


Paris Day Three: Variables and Constants

One of the busiest days of Paris fashion week featured a hello at Balmain, a goodbye at Alaïa and variations on signature visions at Courrèges, The Row, Dries Van Noten and Tom Ford.


view more
Latest News & Analysis
Unrivalled, world class journalism across fashion, luxury and beauty industries.

Can Big Luxury Find Its New Look?

Sex sells — if anyone can figure out what sexy means in 2026. Robert Williams tracks the search for a new silhouette at Kering’s Gucci, LVMH’s Dior and more.


Estée Lauder’s Surprise Acquisition, Explained

The American cosmetic giant’s buyout of Ayurvedic beauty line Forest Essentials came as a surprise. By picking an under-the-radar brand it knows well, the company can show that it’s still in the M&A game without needing to outbid rivals.


VIEW MORE
Agenda-setting intelligence, analysis and advice for the global fashion community.
CONNECT WITH US ON