Stephen Jones
Milliner, Stephen Jones
The in-demand milliner has crafted fanciful and radical hats for designers like Raf Simons, Jean Paul Gaultier and Vivienne Westwood.

Milliner Stephen Jones has collaborated with Balenciaga, Raf Simons , Lanvin, Karl Lagerfeld , Burberry, Vivienne Westwood , Comme des Garçons, Marc Jacobs , Jean Paul Gaultier , Dries Van Noten and Giambattista Valli, among many more. He is one of the most lauded milliners in modern memory and has worked in the industry for over three decades.
His work has featured in campaigns for Dior Parfums, Nina Ricci, Revlon, Lancôme and L’Oréal. Along with his work in fashion, Jones has created costume pieces for Kiera Knightley in “Atonement,” Cate Blanchett in “Elizabeth: The Golden Age” and Audrey Tautou in “Coco Avant Chanel.” In addition to his film work he has made tour costume pieces for Madonna, Alison Goldfrapp and Grace Jones.
Jones’ first commercial role was designing a line of hats for Fiorucci in 1979. In 1980, Steve Strange, owner of London boutique Blitz, provided financial backing for Jones’ first millinery salon, which opened in the basement of the store PX, in Covent Garden. The salon was an instant success, Jones told The New York Times in 2008: “Overnight, I had a business.”
On New Year’s Eve 1980, Jones had his head shaved by friends, leading him to discover that without hair, his head was a perfect woman’s stock size, and that he could become his own fit model. He now develops all his ideas and designs upon himself.
In 1982, Jones showed a collection in Paris for the first time. By this time, Jones was well established in London’s high society with regular customer such as Princess Diana and Isabella Blow, and London’s burgeoning club-kid scene, with clients like Boy George, Spandau Ballet and the New Romantics. In 1984, he began selling his designs through Bloomingdales in New York.
Jones launched a diffusion line named Miss Jones in 1990 and in 1993 he launched Jonesgirl, a line exclusive to Japan. The Stephen Jones brand has had a strong presence in Japan since 1990, when Jones struck a licensing deal for T-shirts, cosmetic bags and handkerchiefs to be manufactured there under his name; this was followed by Stephen Jones Kimonos in 1991, gloves in 1993, sunglasses in 1992 and handbags in 2002. Jones also co-curated the 2009 exhibition “Hats: An Anthology” for the V&A.
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Westwood and Kawakubo: Two Revolutionaries, One Spirit
Longtime collaborator Stephen Jones meditates on the limitless creativity of rule-breaking radicals Rei Kawakubo and Vivienne Westwood as they get a major exhibition at the National Gallery of Victoria in Australia.

Westwood and Kawakubo: Two Revolutionaries, One Spirit
Longtime collaborator Stephen Jones meditates on the limitless creativity of rule-breaking radicals Rei Kawakubo and Vivienne Westwood as they get a major exhibition at the National Gallery of Victoria in Australia.

The Monumental and Minimal at Thom Browne
For all the grandiosity of the setting and the difficulties of realising such a production under strict pandemic restrictions, it felt surprisingly breezy for Browne.

The Monumental and Minimal at Thom Browne
For all the grandiosity of the setting and the difficulties of realising such a production under strict pandemic restrictions, it felt surprisingly breezy for Browne.

Tim Blanks’ Top Fashion Shows of All-Time: John Galliano, Ready-to-Wear Autumn/Winter 1994
Virtually penniless, a string of fashion fairy godmothers granted Galliano an opportunity to spin his magic once more. What the audience saw was a mere 18 looks: still one of the most convincing arguments for “less is more” that BoF's editor at large has encountered in his more than three decades in fashion.

Tim Blanks’ Top Fashion Shows of All-Time: John Galliano, Ready-to-Wear Autumn/Winter 1994
Virtually penniless, a string of fashion fairy godmothers granted Galliano an opportunity to spin his magic once more. What the audience saw was a mere 18 looks: still one of the most convincing arguments for “less is more” that BoF's editor at large has encountered in his more than three decades in fashion.

The BoF Podcast: Stephen Jones Says the Constant Quest for Perfection Often Kills Spontaneity
Celebrated milliner Stephen Jones talks to BoF Editor-at-Large Tim Blanks about how the pandemic has signalled an opportunity to reshape the fashion industry.

The BoF Podcast: Stephen Jones Says the Constant Quest for Perfection Often Kills Spontaneity
Celebrated milliner Stephen Jones talks to BoF Editor-at-Large Tim Blanks about how the pandemic has signalled an opportunity to reshape the fashion industry.

#BoFLIVE: Tim's Take with Milliner Stephen Jones
One of the most lauded milliners in modern memory, who has worked in the industry for over three decades, speaks to Imran Amed about finding creativity in a pandemic.

#BoFLIVE: Tim's Take with Milliner Stephen Jones
One of the most lauded milliners in modern memory, who has worked in the industry for over three decades, speaks to Imran Amed about finding creativity in a pandemic.

Matty Bovan's Gleeful Dystopian Creativity
There was a spirit of resistance in his bricolage.

Matty Bovan's Gleeful Dystopian Creativity
There was a spirit of resistance in his bricolage.

A Dream of Defiance at Margiela
The raw apocalyptic glamour of the show was also a perverse tutorial in the art and craft of clothes-making.

A Dream of Defiance at Margiela
The raw apocalyptic glamour of the show was also a perverse tutorial in the art and craft of clothes-making.

The Future Is Now at Dior
Kim Jones’ ethos is the consummate marriage of creativity and commerce. He knows how to make beautiful things.

The Future Is Now at Dior
Kim Jones’ ethos is the consummate marriage of creativity and commerce. He knows how to make beautiful things.

Reconciling Worlds at Wales Bonner
Grace Wales Bonner insisted that she herself is more playful now, and it certainly seemed that way.

Reconciling Worlds at Wales Bonner
Grace Wales Bonner insisted that she herself is more playful now, and it certainly seemed that way.

The World Is a Garden at Dior
Maria Grazia Chiuri's message was resolutely uplifting thanks to her passion for drawing so many different strands into one coherent — and beautiful — vision of a better world.

The World Is a Garden at Dior
Maria Grazia Chiuri's message was resolutely uplifting thanks to her passion for drawing so many different strands into one coherent — and beautiful — vision of a better world.
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The people shaping the global fashion industry, curated by the editors of The Business of Fashion, based on nominations and on-the-ground intelligence from around the world.






