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Masataka Hosoo

Creative Director & Chief Executive, Hosoo

A trusted supplier to global luxury brands, the head of Kyoto’s renowned textile mill has preserved its centuries-old heritage while embracing innovation.

Masataka Hosoo

Masataka Hosoo is the 12th generation leader of his family’s namesake textile mill, which serves clients such as Louis Vuitton, Dior, Chanel and The Ritz Carlton. In 2023, he struck a deal with LVMH Métiers d'Art to help preserve the Japanese mill’s ancient know-how, keeping it relevant for luxury brands with shifting priorities and facing growing complexity in global supply chains. 

Founded in Kyoto in 1688, Hosoo’s history can be traced back to the city’s silk industry of the sixth century. Today it is still known for its intricate kimono fabrics, centuries-old Nishijin-ori weaving techniques, and excellence in silk fabric production. Under Masataka’s leadership, the business has invested in innovative looms and software-powered processes to support its focus on handicrafts and designs — a delicate balance that has helped Hosoo thrive in an increasingly challenging marketplace.

Masataka pursued a career in music and worked in jewellery manufacturing before joining Hosoo in 2008. In 2012, he founded the “Go On” project to unite Kyoto-based successors of traditional craft businesses and promote them on the global stage. He was named in Nikkei Business’ list of Japan’s 100 Most Influential People of 2014 and Forbes Japan 100 list in 2021, the same year he published his book, “Challenging the World with Japanese Aesthetics.”

VITAL STATISTICS

BORN1978
NATIONALITYJapanese
LOCATIONJapan
MEMBER SINCE2024

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Japan’s Venerated Kimono Industry Faces Uncertain Future

Wafuku fabric and fashion houses are searching for new ways to offset falling kimono sales and safeguard their artisanal heritage. But will a mix of modernisation, diversification and overseas collaborations be enough to secure their survival?

Global Markets

Japan’s Venerated Kimono Industry Faces Uncertain Future

Wafuku fabric and fashion houses are searching for new ways to offset falling kimono sales and safeguard their artisanal heritage. But will a mix of modernisation, diversification and overseas collaborations be enough to secure their survival?

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