Laura Brown
Former Editor-in-Chief, InStyle
Known for her down-to-earth perspective and quirky sense of humour, InStyle’s former editor-in-chief embraced social media and the power of video to engage millions of fashion fans.

Laura Brown is the Australian-born journalist and was the former editor of InStyle magazine.
Known for her down-to-earth perspective and sense of humour, Brown embraced social media and the power of video to engage audiences of millions with candid celebrity interviews and fantastical editorial shoots.
Prior to InStyle, Brown was features, special projects and executive director of Harper’s Bazaar, where she worked for 11 years after moving to New York in 2001. At Bazaar, she produced over 100 covers, including one that put Rihanna in the mouth of a shark as an ode to Jaws. “I still get such a kick out of an image that my team and I have made; that can keep me going for weeks. I need to dream as much as I need to produce.” she told BoF in a 2016 interview.
Taking over from former InStyle editor Ariel Foxman in 2016, Brown acknowledged the influence of the magazine in her first few month in the role. “People turn up for this magazine and I just want to engage them in more and different ways,” she said. “This is a massive, behemoth of a magazine. It’s an incredibly powerful brand. It’s a dominant force in this business. It has an amazing spine, I’m just bringing up the jazz hands a little bit.” Brown stepped down from her role at InStyle magazine in February 2022 as Dotdash Meredith announced it was shuttering American fashion magazine's print edition.
Growing up in Sydney, Brown studied journalism at Charles Sturt University. For two years, she was a production editor at now-defunct Australian magazine Mode, before moving to London for two years, where she was an international correspondent for Harper’s Bazaar Australia. Upon relocating to the US, she worked at Details and W magazine before joining Harper’s Bazaar.
In late 2016, Brown collaborated with Sydney-based label Mon Purse on a series of handbags designed by the editor.
Career History
VITAL STATISTICS
Find out more

BoF VOICES 2025: Why Resilience Matters for Fashion’s Next Chapter
At VOICES 2025, speakers explored how creative numbness, chronic pain, professional setbacks and personal tragedy can be transformed into clarity, resilience and renewed purpose — even in a climate defined by AI disruption and layoffs.

BoF VOICES 2025: Why Resilience Matters for Fashion’s Next Chapter
At VOICES 2025, speakers explored how creative numbness, chronic pain, professional setbacks and personal tragedy can be transformed into clarity, resilience and renewed purpose — even in a climate defined by AI disruption and layoffs.

Laura Brown, Kristina O’Neil and Monita Rajpal: All the Cool Girls Get Fired
You can view the BoF VOICES 2025 on-demand video below.

Laura Brown, Kristina O’Neil and Monita Rajpal: All the Cool Girls Get Fired
You can view the BoF VOICES 2025 on-demand video below.

#BoFLIVE: The State of Fashion Magazines
BoF's Lauren Sherman speaks with some of fashion's most seasoned editors about what it means to reinvent the fashion magazine.

#BoFLIVE: The State of Fashion Magazines
BoF's Lauren Sherman speaks with some of fashion's most seasoned editors about what it means to reinvent the fashion magazine.

#BoFLIVE: Reinventing Fashion Magazines
From cover stars to content concepts, top editors break down how producing magazines has changed during the pandemic — and perhaps forever.

#BoFLIVE: Reinventing Fashion Magazines
From cover stars to content concepts, top editors break down how producing magazines has changed during the pandemic — and perhaps forever.

The September Issue Gets an Overdue Makeover
For years, magazines disproportionately relied on white mega-celebrities to sell the most important issue of the year to advertisers. Now, they're responding to readers who want more diversity by featuring women of colour and independent brands. Will the shift pay off?

The September Issue Gets an Overdue Makeover
For years, magazines disproportionately relied on white mega-celebrities to sell the most important issue of the year to advertisers. Now, they're responding to readers who want more diversity by featuring women of colour and independent brands. Will the shift pay off?

Hearst Is Still Searching for an Editor for Harper’s Bazaar. Here’s Why.
Print’s challenges might not matter to some who dream of following in the footsteps of Liz Tilberis and Glenda Bailey. But many of today’s editors have other aspirations.

Hearst Is Still Searching for an Editor for Harper’s Bazaar. Here’s Why.
Print’s challenges might not matter to some who dream of following in the footsteps of Liz Tilberis and Glenda Bailey. But many of today’s editors have other aspirations.

How to Launch a Successful Podcast in a Saturated Market
Podcasts hold huge appeal for publishers but cutting through the clutter and making money is no easy feat, writes Amy Odell.

How to Launch a Successful Podcast in a Saturated Market
Podcasts hold huge appeal for publishers but cutting through the clutter and making money is no easy feat, writes Amy Odell.

How I Became… Vogue’s First Sustainability Editor
Australian Vogue’s Clare Press carved out a space as sustainability editor as the world began waking up to the climate crisis. Now, she urges those starting in fashion to ‘be bold and forget what's gone before.’

How I Became… Vogue’s First Sustainability Editor
Australian Vogue’s Clare Press carved out a space as sustainability editor as the world began waking up to the climate crisis. Now, she urges those starting in fashion to ‘be bold and forget what's gone before.’

Glenda Bailey Steps Down as Editor-in-Chief of Harper's Bazaar
She will remain with Hearst in a full-time position as global consultant for the magazine.

Glenda Bailey Steps Down as Editor-in-Chief of Harper's Bazaar
She will remain with Hearst in a full-time position as global consultant for the magazine.

Fashion Week’s Latest Experiment: Charging for Admission
Historically, exclusivity has been baked into all aspects of fashion week. But this season New York- and London-based designers are opening their shows up to the general public — for a price.

Fashion Week’s Latest Experiment: Charging for Admission
Historically, exclusivity has been baked into all aspects of fashion week. But this season New York- and London-based designers are opening their shows up to the general public — for a price.
What is The BoF 500?
The people shaping the global fashion industry, curated by the editors of The Business of Fashion, based on nominations and on-the-ground intelligence from around the world.








