Ian Griffiths
In Milan, the End of Fashion for Instagram?
If the first day of Milan Fashion Week is anything to go by, fashion’s focus may be returning to well-designed products for real life, not costumes for pretty pictures.
In Milan, the End of Fashion for Instagram?
If the first day of Milan Fashion Week is anything to go by, fashion’s focus may be returning to well-designed products for real life, not costumes for pretty pictures.
At Max Mara, A Sleepy Spy Story
The collection was nicely executed and highly wearable but failed to really carry the 'Killing Eve'-inspired narrative referenced by designer Ian Griffiths.
At Max Mara, A Sleepy Spy Story
The collection was nicely executed and highly wearable but failed to really carry the 'Killing Eve'-inspired narrative referenced by designer Ian Griffiths.
In Milan, Place and the Perception of Clothes
From enchanted gardens to brutalist hangars, locations can make or break a show.
In Milan, Place and the Perception of Clothes
From enchanted gardens to brutalist hangars, locations can make or break a show.
Max Mara Recalls its Heyday
A focus on glamour translated into a very long, very product focused, outstanding collection that captured some of the pomp of the Eighties and reflected the modern resurgence of power dressing.
Max Mara Recalls its Heyday
A focus on glamour translated into a very long, very product focused, outstanding collection that captured some of the pomp of the Eighties and reflected the modern resurgence of power dressing.
Max Mara's Fierce Femininity
Ian Griffiths paid homage to his design mentor with a powerful collection that felt true to the roots but not nostalgic, nor inclined to replica.
Max Mara's Fierce Femininity
Ian Griffiths paid homage to his design mentor with a powerful collection that felt true to the roots but not nostalgic, nor inclined to replica.
At Max Mara, Form Follows Function
It was honest, most of all: no styling trick and no diversion, just faultless outerwear and classy separates real women might actually want to wear.
At Max Mara, Form Follows Function
It was honest, most of all: no styling trick and no diversion, just faultless outerwear and classy separates real women might actually want to wear.
Elegant Dissonance
This was a Max Mara collection that, broken in pieces, could actually translate pretty seamlessly into commercial product.
Elegant Dissonance
This was a Max Mara collection that, broken in pieces, could actually translate pretty seamlessly into commercial product.
Pushing Out the Boat at Max Mara
Max Mara Creative Director Ian Griffiths gave predictable nautical style an unexpected twist.
Pushing Out the Boat at Max Mara
Max Mara Creative Director Ian Griffiths gave predictable nautical style an unexpected twist.