Hans Ulrich Obrist is artistic director of the Serpentine Galleries in London, and senior artistic advisor of The Shed in New York. Prior to this, he was the Curator of the Musée d’Art Moderne de la Ville de Paris. Since his first show “World Soup” (The Kitchen Show) in 1991 he has curated more than 300 shows. In 2011 Obrist received the CCS Bard Award for Curatorial Excellence, in 2015 he was awarded the International Folkwang Prize, and in 2018 he was presented with the Award for Excellence in the Arts by the Appraisers Association of America. Obrist has lectured internationally at academic and art institutions, and is contributing editor to several magazines and journals.
Career History
VITAL STATISTICS
It’s Time for Fashion to Clean Up Its Act. Please Join Us.
You’re invited to the BoF Professional Summit on How to Build a Responsible Fashion Business, broadcast live on 17 June 2020.
It’s Time for Fashion to Clean Up Its Act. Please Join Us.
You’re invited to the BoF Professional Summit on How to Build a Responsible Fashion Business, broadcast live on 17 June 2020.
BoF VOICES Day 1: Fashion Confronts a Challenging Future
The industry is grappling with an uncertain outlook amid projections for slowing growth and mounting socio-political unrest, but new technology and business models offer hope for innovative solutions.
BoF VOICES Day 1: Fashion Confronts a Challenging Future
The industry is grappling with an uncertain outlook amid projections for slowing growth and mounting socio-political unrest, but new technology and business models offer hope for innovative solutions.
Hans Ulrich Obrist: The Antidote to Globalisation
At VOICES, the curator and artistic director of the Serpentine Galleries argued that a softer ‘mondialité,’ where local and global identities coexist, could be the solution to growing nationalism, adding that artists must play a role in creating alternative futures.
Hans Ulrich Obrist: The Antidote to Globalisation
At VOICES, the curator and artistic director of the Serpentine Galleries argued that a softer ‘mondialité,’ where local and global identities coexist, could be the solution to growing nationalism, adding that artists must play a role in creating alternative futures.
Can Berlin Turn Its Fetish for Failure Into a Fashion Success Story?
Driven by low rents and a renegade cultural scene, Berlin is a magnet for creatives, but the city’s most noteworthy fashion labels still show elsewhere.
Can Berlin Turn Its Fetish for Failure Into a Fashion Success Story?
Driven by low rents and a renegade cultural scene, Berlin is a magnet for creatives, but the city’s most noteworthy fashion labels still show elsewhere.