Azzedine Alaïa
1939 - 2017
The notoriously press-shy couturier was trained by Christian Dior himself and built his own brand.

The enigmatic Azzedine Alaïa was one of the few designers willing to forego conventional fashion schedules and produce collections at his own pace. His ability to do so stemmed from his prodigious talent and fashion’s seemingly insatiable appetite for his designs. His skill at cutting and his idiosyncratic takes on classic silhouettes have made Alaïa popular for decades. In November 2017, at the age of 82, Alaïa died in Paris.
Alaïa signed a partnership with the Prada Group in 2000, a second renaissance for the designer. He then bought his brand back from the group in 2007 to enter an agreement with Richemont. Having remained relatively unchanged following the deal, the Alaïa brand underwent a Richemont-backed expansion.
Tunisian Alaïa’s love of fashion began through his reading of Vogue at a young age. After lying about his age to attend the École des Beaux-Arts in Tunis, where he trained as a sculptor, he began working as a dressmaker and the moved to Paris in 1957. There he started his career at Christian Dior as a tailleur, but soon moved to work for Guy Laroche for two seasons followed by Thierry Mugler. Alaïa opened his first atelier in his Rue de Bellechasse apartment in the late 1970s, from which he dressed private clientele including Marie-Hélène de Rothschild, Louise de Vilmorin and Greta Garbo.
In 1980 he produced his first ready-to-wear collection, which was championed by the then-doyennes of fashion, Melka Tréanton and Nicole Crassat, who both regularly featured his work in Elle and French Elle respectively.
That same year, Alaïa moved to larger premises in Paris and by 1988 he had opened boutiques in Beverly Hills and New York, and was soon dubbed the ‘King of Cling’ by the media. During the mid-‘90s Alaïa partially retired from the fashion scene for personal reasons. However, he continued to cater for a private clientele and enjoyed commercial success with his ready-to-wear lines. His collections were presented in Paris’ Marais neighbourhood, where he brought his creative workshop, boutique and showroom together under one roof.
In 2013, a major exhibition of his work, curated by Olivier Saillard , was staged at Paris’ Palais Galliera, to coincide with Paris Fashion Week. Alaïa passed away in November 2017 and in January 2019 a plaque honouring his work was unveiled at his Marais workshop.
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The Shared Obsessions of Azzedine Alaïa and Christian Dior
In Paris, twin exhibitions reveal how two radically different working methods converged around craft, discipline and silhouette, writes Laurence Benaïm.

The Shared Obsessions of Azzedine Alaïa and Christian Dior
In Paris, twin exhibitions reveal how two radically different working methods converged around craft, discipline and silhouette, writes Laurence Benaïm.

What Happens for Luxury If AI Goes Bust?
Investors are worried about the scale and concentration of US’ AI investment ahead of Nvidia’s earnings Wednesday night. A correction would have big consequences for high-end brands. Plus: Kering’s leaked strategy memo, Azzedine Alaïa’s Dior archive, highlights from BoF VOICES.

What Happens for Luxury If AI Goes Bust?
Investors are worried about the scale and concentration of US’ AI investment ahead of Nvidia’s earnings Wednesday night. A correction would have big consequences for high-end brands. Plus: Kering’s leaked strategy memo, Azzedine Alaïa’s Dior archive, highlights from BoF VOICES.

In Paris, Glimpses of Azzedine Alaïa’s Unrivalled Fashion Archive
The late designer’s archive of nearly 20,000 pieces ranging from Madame Grès and Schiaparelli to Comme des Garçons and Gaultier is like a ‘real-life backup disk of 20th century fashion,’ writes Laurence Benaïm.

In Paris, Glimpses of Azzedine Alaïa’s Unrivalled Fashion Archive
The late designer’s archive of nearly 20,000 pieces ranging from Madame Grès and Schiaparelli to Comme des Garçons and Gaultier is like a ‘real-life backup disk of 20th century fashion,’ writes Laurence Benaïm.

The Vampire’s Wife Plots Expansion Plan With a Surprising Investor
Jimmy Iovine and Liberty Ross have taken a majority stake in designer Susie Cave's bewitching dress line, which has found success outside the traditional fashion system. Can one of the music industry’s most legendary talent scouts help scale the business?

The Vampire’s Wife Plots Expansion Plan With a Surprising Investor
Jimmy Iovine and Liberty Ross have taken a majority stake in designer Susie Cave's bewitching dress line, which has found success outside the traditional fashion system. Can one of the music industry’s most legendary talent scouts help scale the business?

A Year Without Fashion Shows
It’s increasingly likely that fashion shows will be cancelled for the duration of the year. What will be lost? How might the industry adapt? And what will fashion week look like when the crisis ends?

A Year Without Fashion Shows
It’s increasingly likely that fashion shows will be cancelled for the duration of the year. What will be lost? How might the industry adapt? And what will fashion week look like when the crisis ends?


A.P.C.’s Jean Touitou: ‘I’m Ready for a War’
The French designer talks to Tim Blanks about how he’s navigating the crisis and why the coronavirus can’t kill fashion.

A.P.C.’s Jean Touitou: ‘I’m Ready for a War’
The French designer talks to Tim Blanks about how he’s navigating the crisis and why the coronavirus can’t kill fashion.

‘Secret’ Indian Ateliers Keep Luxury Brands Buoyant
Hermès, Gucci, Prada and Christian Dior have all tapped ateliers in India to do exquisite handwork for the catwalk, but other luxury brands shroud their Indian connections in secrecy. Why?

‘Secret’ Indian Ateliers Keep Luxury Brands Buoyant
Hermès, Gucci, Prada and Christian Dior have all tapped ateliers in India to do exquisite handwork for the catwalk, but other luxury brands shroud their Indian connections in secrecy. Why?

How I Became… Carla Sozzani
Over 50 years in the industry, the editor-turned-retailer transformed a gallery in the garage of 10 Corso Como into one of the world’s most prestigious concept-store brands with five international locations.

How I Became… Carla Sozzani
Over 50 years in the industry, the editor-turned-retailer transformed a gallery in the garage of 10 Corso Como into one of the world’s most prestigious concept-store brands with five international locations.

In Paris, Fashion That Leaves You (Mostly) Cold
The fact that men’s fashion is shifting from the visual boldness of hyper-logoed streetwear to the composed sombreness of a new kind of formality certainly did not help this season.

In Paris, Fashion That Leaves You (Mostly) Cold
The fact that men’s fashion is shifting from the visual boldness of hyper-logoed streetwear to the composed sombreness of a new kind of formality certainly did not help this season.
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The people shaping the global fashion industry, curated by the editors of The Business of Fashion, based on nominations and on-the-ground intelligence from around the world.







