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Paris Couture’s Life and Lifelessness
In a week of couture shows that often felt formulaic, Glenn Martens’ debut at Maison Margiela supplied bold new energy, writes Angelo Flaccavento.
Paris Couture’s Life and Lifelessness
In a week of couture shows that often felt formulaic, Glenn Martens’ debut at Maison Margiela supplied bold new energy, writes Angelo Flaccavento.
In Paris, Haute Couture’s Air of Restoration
This season, the couture shows seemed less focused on storytelling than simply catering to the wealthy, reports Angelo Flaccavento.
In Paris, Haute Couture’s Air of Restoration
This season, the couture shows seemed less focused on storytelling than simply catering to the wealthy, reports Angelo Flaccavento.
Couture’s Season of Monumentalism
A sense of sculptural rigidity and a stiff monumentalism was all over Paris Couture Week, writes Angelo Flaccavento.
Couture’s Season of Monumentalism
A sense of sculptural rigidity and a stiff monumentalism was all over Paris Couture Week, writes Angelo Flaccavento.
At Paris Couture, Opulent Realism
The couture week that closed Thursday was all about technique over image, writes Angelo Flaccavento.
At Paris Couture, Opulent Realism
The couture week that closed Thursday was all about technique over image, writes Angelo Flaccavento.
Why Does Fashion Need Haute Couture?
On Monday at 10 a.m., a swarm of extremely well-heeled clients — dressed in Schiaparelli looks, holding Schiaparelli bags and wearing bright gold Schiaparelli jewellery, often the same pieces, from the same collections — proceeded en masse into the Petit Palais in Paris.
Why Does Fashion Need Haute Couture?
On Monday at 10 a.m., a swarm of extremely well-heeled clients — dressed in Schiaparelli looks, holding Schiaparelli bags and wearing bright gold Schiaparelli jewellery, often the same pieces, from the same collections — proceeded en masse into the Petit Palais in Paris.
In Search of Modern Couture
Tradition coursed through the veins of Paris couture week with few outliers, reports Angelo Flaccavento.
In Search of Modern Couture
Tradition coursed through the veins of Paris couture week with few outliers, reports Angelo Flaccavento.
In Paris, Couture’s Return to Clothes Making
Haute couture, once the realm of unbridled dreams, is getting back to making clothes, reports Angelo Flaccavento.
In Paris, Couture’s Return to Clothes Making
Haute couture, once the realm of unbridled dreams, is getting back to making clothes, reports Angelo Flaccavento.
Renzo Rosso’s OTB Increases Its Stake in Viktor & Rolf
The Italian fashion group that owns Diesel, Marni and Maison Margiela added to its existing investment in the brand founded by the Dutch design duo Viktor Horsting and Rolf Snoeren in 1993.
Renzo Rosso’s OTB Increases Its Stake in Viktor & Rolf
The Italian fashion group that owns Diesel, Marni and Maison Margiela added to its existing investment in the brand founded by the Dutch design duo Viktor Horsting and Rolf Snoeren in 1993.
Galliano, McQueen and The Scent of Couture
Watch the BoF Breakfast Club, a discussion of the week’s most important fashion news with fashion’s most opinionated experts. On the menu this week: two new books on John Galliano and Alexander McQueen, and the logic behind Viktor & Rolf's new focus on haute couture.
Galliano, McQueen and The Scent of Couture
Watch the BoF Breakfast Club, a discussion of the week’s most important fashion news with fashion’s most opinionated experts. On the menu this week: two new books on John Galliano and Alexander McQueen, and the logic behind Viktor & Rolf's new focus on haute couture.
Diesel Founder Taken Aback by Race for Young Designers
PARIS, France — Renzo Rosso, the founder of Diesel, says competition for hot designers is now as intense as for football stars, as shown by the speed
Diesel Founder Taken Aback by Race for Young Designers
PARIS, France — Renzo Rosso, the founder of Diesel, says competition for hot designers is now as intense as for football stars, as shown by the speed