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Milan Day Four: Gucci and Demna — Milan’s Main Act
The most hotly anticipated show of the week was also its most polarising. But there was more on the menu on day four of the Milan shows, reports Angelo Flaccavento.
Milan Day Four: Gucci and Demna — Milan’s Main Act
The most hotly anticipated show of the week was also its most polarising. But there was more on the menu on day four of the Milan shows, reports Angelo Flaccavento.
Milan Day Three: Self-Examination
At Prada, Moschino and more, designers grappled with their own identities on the third day of Milan Fashion Week, writes Angelo Flaccavento.
Milan Day Three: Self-Examination
At Prada, Moschino and more, designers grappled with their own identities on the third day of Milan Fashion Week, writes Angelo Flaccavento.
5 Brands That Dominated the Social Conversation During Milan Fashion Week
DSquared2, Moschino and Versace led the user-generated conversation on social media during Milan Fashion Week according to BoF's new social intelligence tool BoF INSIGHTS PULSE, powered by Quilt.AI.
5 Brands That Dominated the Social Conversation During Milan Fashion Week
DSquared2, Moschino and Versace led the user-generated conversation on social media during Milan Fashion Week according to BoF's new social intelligence tool BoF INSIGHTS PULSE, powered by Quilt.AI.
Milan Day Four: Cracking Fashion Codes
Designers at Versace, Moschino, Tod’s and Missoni grappled with how to interpret deep-rooted house codes, while Sunnei’s Simone Rizzo and Loris Messina kept creating their own.
Milan Day Four: Cracking Fashion Codes
Designers at Versace, Moschino, Tod’s and Missoni grappled with how to interpret deep-rooted house codes, while Sunnei’s Simone Rizzo and Loris Messina kept creating their own.
Is This the End of Fashion History? Not So Fast
The Milan collections took endless trips down memory lane, but the likes of Francesco Risso’s Marni and Simone Bellotti’s Bally delivered originality, reports Angelo Flaccavento.
Is This the End of Fashion History? Not So Fast
The Milan collections took endless trips down memory lane, but the likes of Francesco Risso’s Marni and Simone Bellotti’s Bally delivered originality, reports Angelo Flaccavento.
What Does Pressure Look Like in Milan?
Gucci’s Sabato De Sarno and Moschino’s Adrian Appiolaza are both weighed by legacy. But life is much easier for one of them, writes Tim Blanks.
What Does Pressure Look Like in Milan?
Gucci’s Sabato De Sarno and Moschino’s Adrian Appiolaza are both weighed by legacy. But life is much easier for one of them, writes Tim Blanks.
‘The Ordinary Becomes Extraordinary’: Adrian Appiolaza’s Moschino Vision Takes Shape
Under new creative direction, the Italian fashion house is rebalancing its surrealist, campy image with a more grounded silhouette. 'It was important to find the line between reality and theatricality,’ Appiolaza told BoF.
‘The Ordinary Becomes Extraordinary’: Adrian Appiolaza’s Moschino Vision Takes Shape
Under new creative direction, the Italian fashion house is rebalancing its surrealist, campy image with a more grounded silhouette. 'It was important to find the line between reality and theatricality,’ Appiolaza told BoF.
In Milan, Conservatism and Youth
Milan men’s fashion week pitted a macho late-50s charm against the messiness of youth, reports Angelo Flaccavento.
In Milan, Conservatism and Youth
Milan men’s fashion week pitted a macho late-50s charm against the messiness of youth, reports Angelo Flaccavento.
Is There Space for Radical Design in a Climate of Conservatism?
At Milan Fashion Week, the collections that mattered most were all about the radicality of cut, writes Angelo Flaccavento.
Is There Space for Radical Design in a Climate of Conservatism?
At Milan Fashion Week, the collections that mattered most were all about the radicality of cut, writes Angelo Flaccavento.
Comings and Going in Milan
Adrian Appiolaza arrives at Moschino, Francesco Risso whites out reality at Marni and Donatella Versace still loves Prince, writes Tim Blank
Comings and Going in Milan
Adrian Appiolaza arrives at Moschino, Francesco Risso whites out reality at Marni and Donatella Versace still loves Prince, writes Tim Blank