Maison Margiela
Maison Margiela is a luxury fashion house, founded in 1988 and acquired by OTB Group in 2002. The house produces womenswear and menswear according to the unconventional principles imagined by its founder, Belgian fashion designer Martin Margiela.
Couture Feels the Fire
When fantasy collides with reality, there’s only one winner, as Schiaparelli’s Daniel Roseberry found out on Monday.
Couture Feels the Fire
When fantasy collides with reality, there’s only one winner, as Schiaparelli’s Daniel Roseberry found out on Monday.
Will Fashion’s Bet on Food and Beverage Pay Off?
In China, branded cafes, bars and restaurants are a marketing sweet spot for luxury players like Burberry, Cartier and Tiffany but navigating an unfamiliar sector amid strict lockdowns isn’t easy.
Will Fashion’s Bet on Food and Beverage Pay Off?
In China, branded cafes, bars and restaurants are a marketing sweet spot for luxury players like Burberry, Cartier and Tiffany but navigating an unfamiliar sector amid strict lockdowns isn’t easy.
The Glass of Fashion Cracked
In the long ago, haute couture was the province of Paris. Now, one Englishman designing for Antwerp-born Margiela, another fronting Rome’s fabulous Fendi produce some of the most memorable moments of couture week.
The Glass of Fashion Cracked
In the long ago, haute couture was the province of Paris. Now, one Englishman designing for Antwerp-born Margiela, another fronting Rome’s fabulous Fendi produce some of the most memorable moments of couture week.
In Search of Modern Couture
Tradition coursed through the veins of Paris couture week with few outliers, reports Angelo Flaccavento.
In Search of Modern Couture
Tradition coursed through the veins of Paris couture week with few outliers, reports Angelo Flaccavento.
John Galliano: Fashion’s Greatest Showman Turns Ciné-Auteur
The industry’s master of make-believe insists, ‘I would feel lame to just go back to a white runway and a white box,’ as he tells Tim Blanks about his latest film.
John Galliano: Fashion’s Greatest Showman Turns Ciné-Auteur
The industry’s master of make-believe insists, ‘I would feel lame to just go back to a white runway and a white box,’ as he tells Tim Blanks about his latest film.
In Paris, Clothes or Concepts?
Maison Margiela, Jean Paul Gaultier and Fendi presented haute couture collections that doubled down on heritage but lacked purpose, writes Angelo Flaccavento.
In Paris, Clothes or Concepts?
Maison Margiela, Jean Paul Gaultier and Fendi presented haute couture collections that doubled down on heritage but lacked purpose, writes Angelo Flaccavento.
Italy’s OTB Expects To Accelerate Creation of Luxury Hub
The luxury group is looking to acquire new fashion brands, as well as production and distribution firms in order to expand its reach.
Italy’s OTB Expects To Accelerate Creation of Luxury Hub
The luxury group is looking to acquire new fashion brands, as well as production and distribution firms in order to expand its reach.
Is This the End of Fashion’s Creative ‘Mafia’?
For years, fashion’s top creative jobs have gone to a small pool of talent. The economic impact of the pandemic and demands for greater inclusivity may be changing that pattern.
Is This the End of Fashion’s Creative ‘Mafia’?
For years, fashion’s top creative jobs have gone to a small pool of talent. The economic impact of the pandemic and demands for greater inclusivity may be changing that pattern.
Power Moves | L’Oréal Appoints New CEO, Macy’s Taps Consultant as CFO
This week, Nicolas Hieronimus takes the helm at L’Oréal, while Macy’s appoints a Boston Consulting Group partner as Chief Financial Officer.
Power Moves | L’Oréal Appoints New CEO, Macy’s Taps Consultant as CFO
This week, Nicolas Hieronimus takes the helm at L’Oréal, while Macy’s appoints a Boston Consulting Group partner as Chief Financial Officer.
No Going Back at Margiela
John Galliano has never been afraid of excess, but there’s something about the language he has developed at Margiela that simultaneously, paradoxically releases and tames it.
No Going Back at Margiela
John Galliano has never been afraid of excess, but there’s something about the language he has developed at Margiela that simultaneously, paradoxically releases and tames it.