Givenchy

Power Moves | Management and Creative Shake-Up At Richemont, Tisci Exits Givenchy
This week, Richmont appointed Andrew Maag as chief executive officer of Dunhill, and Chloé confirmed the departure of creative director Clare Waight Keller.

Power Moves | Management and Creative Shake-Up At Richemont, Tisci Exits Givenchy
This week, Richmont appointed Andrew Maag as chief executive officer of Dunhill, and Chloé confirmed the departure of creative director Clare Waight Keller.

Riccardo Tisci Leaving Givenchy
Tisci is departing the LVMH-owned fashion house after 12 years at the creative helm, as rumours intensify that the designer will join Versace.

Riccardo Tisci Leaving Givenchy
Tisci is departing the LVMH-owned fashion house after 12 years at the creative helm, as rumours intensify that the designer will join Versace.

Tisci Moves on at Givenchy
Whatever zeitgeist he tapped into with his new Givenchy menswear collection it all spoke to Riccardo Tisci moving on — tiring of the Gothic darkness, looking for the positive light.

Tisci Moves on at Givenchy
Whatever zeitgeist he tapped into with his new Givenchy menswear collection it all spoke to Riccardo Tisci moving on — tiring of the Gothic darkness, looking for the positive light.

A Spiritual Path at Givenchy
Riccardo Tisci’s new emphasis on the spiritual rather than the carnal not only changed the shape of Givenchy but also the attitude.

A Spiritual Path at Givenchy
Riccardo Tisci’s new emphasis on the spiritual rather than the carnal not only changed the shape of Givenchy but also the attitude.

The Givenchy Man on the Move
The zipped-on bits and pieces, the pannier-like extensions to the silhouette, the pockets, the backpacks, everything amplifying the notion of a man on the move, made for a collection that felt tortured, layer-upon-layer overwrought.

The Givenchy Man on the Move
The zipped-on bits and pieces, the pannier-like extensions to the silhouette, the pockets, the backpacks, everything amplifying the notion of a man on the move, made for a collection that felt tortured, layer-upon-layer overwrought.

Jewellery Nestling in New Real Estate on the Body
Luxury body jewellery is piquing the interest of consumers and global retailers alike.

Jewellery Nestling in New Real Estate on the Body
Luxury body jewellery is piquing the interest of consumers and global retailers alike.

Tisci’s Labyrinth at Givenchy
This season, Tisci referenced ancient cultures with a bubbling of good old glam rock — but something funny happened on the way to the Pyramids. Black started looking very good again.

Tisci’s Labyrinth at Givenchy
This season, Tisci referenced ancient cultures with a bubbling of good old glam rock — but something funny happened on the way to the Pyramids. Black started looking very good again.

Power Moves | Bolland Exits M&S, Givenchy Americas President, Vogue.com Men's Critic
BoF compiles the most important professional moves of the week.

Power Moves | Bolland Exits M&S, Givenchy Americas President, Vogue.com Men's Critic
BoF compiles the most important professional moves of the week.

How Beauty Brands Tap Backstage and Beyond
Hair and makeup companies are turning fashion week partnerships into powerful brand marketing tools.

How Beauty Brands Tap Backstage and Beyond
Hair and makeup companies are turning fashion week partnerships into powerful brand marketing tools.

Could Givenchy’s Public Show Set a New Template?
On September 11th, Givenchy opened the doors of its meditative, mould-breaking show, co-art directed by Riccardo Tisci and Marina Abramović, to members of the public. Is this the way forward?

Could Givenchy’s Public Show Set a New Template?
On September 11th, Givenchy opened the doors of its meditative, mould-breaking show, co-art directed by Riccardo Tisci and Marina Abramović, to members of the public. Is this the way forward?