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Latest News & Analysis
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Chioma Nnadi to Lead British Vogue

The editor of Vogue.com will become British Vogue’s head of editorial content, Condé Nast announced, as editor-in-chief Edward Enninful prepares to step back from the title.

Media

Chioma Nnadi to Lead British Vogue

The editor of Vogue.com will become British Vogue’s head of editorial content, Condé Nast announced, as editor-in-chief Edward Enninful prepares to step back from the title.


Media

Edward Enninful to Step Away as British Vogue’s Editor-in-Chief Next Year

Enninful will transition to a new global advisory role, while ‘having the freedom to take on broader creative projects,’ he said in a memo to staff.

Media

Edward Enninful to Step Away as British Vogue’s Editor-in-Chief Next Year

Enninful will transition to a new global advisory role, while ‘having the freedom to take on broader creative projects,’ he said in a memo to staff.


Media

‘I Have an Invisible Disability Myself’: Edward Enninful and Sinéad Burke on Their Fashion Revolution

How do you shake up a homogeneous industry? The editor and the fashion activist explain why they brought a daring, dynamic vision of disability to Vogue.

Media

‘I Have an Invisible Disability Myself’: Edward Enninful and Sinéad Burke on Their Fashion Revolution

How do you shake up a homogeneous industry? The editor and the fashion activist explain why they brought a daring, dynamic vision of disability to Vogue.


Media

First Look: Edward Enninful’s Memoir

Edward Enninful, British Vogue editor-in-chief, is set to release his first memoir, A Visible Man, in September. In it, he documents his experiences as a Ghanian refugee in London to those at the top of Vogue's masthead.

Media

First Look: Edward Enninful’s Memoir

Edward Enninful, British Vogue editor-in-chief, is set to release his first memoir, A Visible Man, in September. In it, he documents his experiences as a Ghanian refugee in London to those at the top of Vogue's masthead.


Media

Org Chart: Vogue’s New Global Editorial Structure

The heavyweight international Vogue editors who once filled the front rows at Paris Fashion Week were gone this season, a stark sign of the restructuring that has consolidated power in the hands of global editor Anna Wintour and her regional deputies.

Media

Org Chart: Vogue’s New Global Editorial Structure

The heavyweight international Vogue editors who once filled the front rows at Paris Fashion Week were gone this season, a stark sign of the restructuring that has consolidated power in the hands of global editor Anna Wintour and her regional deputies.


Media

Vanessa Kingori on the Reinvention of British Vogue

BoF’s Imran Amed sits down with Conde Nast Britain’s chief business officer to examine British Vogue’s new business strategy.

Media

Vanessa Kingori on the Reinvention of British Vogue

BoF’s Imran Amed sits down with Conde Nast Britain’s chief business officer to examine British Vogue’s new business strategy.


Media

Vanessa Kingori’s Commercial Reboot of British Vogue

The executive has been named Condé Nast Britain’s chief business officer for style after helping to achieve ‘unprecedented revenue growth’ at the fashion title.

Media

Vanessa Kingori’s Commercial Reboot of British Vogue

The executive has been named Condé Nast Britain’s chief business officer for style after helping to achieve ‘unprecedented revenue growth’ at the fashion title.


Workplace & Talent

Nadine Ijewere: ‘I Want To See More Black Women at the Top’

The London-born photographer, whose signature sun-soaked style subverts the industry’s outdated beauty ideals, has made history as the first Black woman to shoot the cover of both American and British Vogue.

Workplace & Talent

Nadine Ijewere: ‘I Want To See More Black Women at the Top’

The London-born photographer, whose signature sun-soaked style subverts the industry’s outdated beauty ideals, has made history as the first Black woman to shoot the cover of both American and British Vogue.


Media

Is This the End of Fashion’s Creative ‘Mafia’?

For years, fashion’s top creative jobs have gone to a small pool of talent. The economic impact of the pandemic and demands for greater inclusivity may be changing that pattern.

Media

Is This the End of Fashion’s Creative ‘Mafia’?

For years, fashion’s top creative jobs have gone to a small pool of talent. The economic impact of the pandemic and demands for greater inclusivity may be changing that pattern.


Media

The September Issue Gets an Overdue Makeover

For years, magazines disproportionately relied on white mega-celebrities to sell the most important issue of the year to advertisers. Now, they're responding to readers who want more diversity by featuring women of colour and independent brands. Will the shift pay off?

Media

The September Issue Gets an Overdue Makeover

For years, magazines disproportionately relied on white mega-celebrities to sell the most important issue of the year to advertisers. Now, they're responding to readers who want more diversity by featuring women of colour and independent brands. Will the shift pay off?