Skip to main content

Tim Schneider

Tim Schneider is a contributing writer at The Business of Fashion. He is a New York based art market journalist and founder od The Gray Market publication on Substack. He has worked as an art editor at The Art Newspaper and Arnet. Schneider has a range of experience in the gallery sector and holds a bachelor's degree from the University of Chicago in Art History.

    Luxury

    Rethinking the Art World | How Christie’s and Sotheby’s Plan to Remake Their Fortunes

    The duopoly still dominates the art world’s auction sector, but amid a stagnant art market their growth strategies haven’t been more distinct for years.

    Luxury

    Rethinking the Art World | How Christie’s and Sotheby’s Plan to Remake Their Fortunes

    The duopoly still dominates the art world’s auction sector, but amid a stagnant art market their growth strategies haven’t been more distinct for years.

    Luxury

    Explainer: Making Sense of Art Basel’s New Qatar Fair

    The world’s largest organiser of art fairs will launch its fifth annual event in Doha in February 2026. What does it mean for Art Basel, Qatar and the evolution of an art market desperate for growth opportunities after more than two years of shrinking sales?

    Luxury

    Explainer: Making Sense of Art Basel’s New Qatar Fair

    The world’s largest organiser of art fairs will launch its fifth annual event in Doha in February 2026. What does it mean for Art Basel, Qatar and the evolution of an art market desperate for growth opportunities after more than two years of shrinking sales?

    Luxury

    Ari Emanuel’s Milestone Frieze Acquisition, Explained

    The Hollywood dealmaker’s new firm is buying the powerful international art fair brand. What does it mean for Frieze, Emanuel’s company and the future of the art business?

    Luxury

    Ari Emanuel’s Milestone Frieze Acquisition, Explained

    The Hollywood dealmaker’s new firm is buying the powerful international art fair brand. What does it mean for Frieze, Emanuel’s company and the future of the art business?

    ADVERTISEMENT

    ADVERTISEMENT