Agenda-setting intelligence, analysis and advice for the global fashion community.

David Szeto's new work/show space in Brussels
When a designer with an international, cult following of fashion insiders shifts his headquarters to Brussels, could it mean that the Belgian city better known for its frites, waffles and EU bureaucracy will be the next fashion hotspot? I sat down with Brussels' new transplant, David Szeto, in his huge 2 story space (see above) to learn the reasons behind his move from Paris, Szeto's long-standing home base.
With limited access to local manufacturing, London-based designers find themselves rushing back and forth to the Continent in order to manage production. They also complain of high costs – space is expensive and difficult to find. And, to top it all off, even if they show in London, designers must still take their collections to Paris for sales because many stockists do not include London on their buying trips.
Paris also poses its own challenges as a base for for emerging talent. While it is arguably the world's most important fashion capital (that's what The Economist thinks anyway), it can be a nightmare for entrepreneurs to navigate. It's hard to hire (and fire) employees and getting around the labyrinthine French bureaucracy is daunting, to say the least. Getting a slot on the official Paris schedule is almost impossible, what with all of the big brand heavyweights who are not going anywhere soon.
ADVERTISEMENT
Brussels, on the other hand, seems to have the raw materials to be a new haven for emerging talent. Rents in Brussels are much lower than those in Paris or London. And, Brussels is within easy reach of top-quality manufacturing in France andBut, it's not just practical reasons that drew David to Brussels. "Something about Brussels reminds me of how I felt when I arrived in London many years ago," he told me.
Autumn/Winter 07/08 image courtesy of David Szeto.




