Skip to main content
BoF Logo

Agenda-setting intelligence, analysis and advice for the global fashion community.

Pieter Mulier to Design Versace, Prada Group Confirms

The outgoing Alaïa designer and long-time lieutenant of Prada co-creative director Raf Simons will be tasked with revitalising Prada Group’s new acquisition, following the ouster of Dario Vitale in December.
Pieter Mulier.
Pieter Mulier. (Karim Sadli)

MILAN — Pieter Mulier has been named creative director of Versace, new owner Prada Group has confirmed.

“This choice marks the beginning of a new chapter for the brand,” Prada Group and Versace said in a joint statement on Thursday. Mulier will officially take the creative reins at Versace on July 1. His first runway show for the label could take place as soon as September.

Mulier will be tasked with revitalising Versace, a mainstay of popular culture whose business performance has never matched the power of its brand in a market increasingly dominated by bigger heritage houses.

He follows a one-season stint by former designer Dario Vitale, who was ousted by Prada despite a Milan Fashion Week debut that exceeded expectations last September.

ADVERTISEMENT

Mulier’s new mandate follows a five-year run as Alaïa’s creative director, where he was the first to succeed house founder Azzedine Alaïa. The designer, who studied architecture at the Brussels Institut Saint-Luc, mastered the essence of Alaïa while making it his own, bringing the French label back into the fashion conversation while developing a successful accessories line. Hits have included the elongated Teckel handbag and mesh ballet flats that were sell-outs.

Versace brings a new challenge to the seasoned designer. Revenue was largely stagnant during seven years of ownership by American fashion group Capri Holdings and the brand booked an operating loss in its last fiscal year.

Mulier is expected to have a reasonably lengthy runway to translate Versace’s name recognition and cultural cachet into a profitable fashion label. Prada chief executive Andrea Guerra has said on multiple occasions that turning around Versace will be a “long journey.” Prada scion and Versace executive chairman Lorenzo Bertelli has also preached patience.

Prada management had a clear idea that it wanted Mulier for the job months before the acquisition of Versace closed. “When we considered the Versace acquisition, we identified Pieter Mulier as the right person for the brand,” Bertelli said in the statement Thursday. “We believe that he can truly unlock Versace’s full potential and that he will be able to engage in a fruitful dialogue with the brand’s strong legacy.”

The long history of collaboration between Mulier and Simons started when Mulier’s fashion career kicked off with an internship for Simons’ namesake label in the early 2000s. He eventually rose to senior head designer. The two also worked together at Jil Sanders when Simons was creative director. Simons later brought Mulier with him to Dior and eventually Calvin Klein, where Mulier executed the designer’s vision for the iconic American brand.

Prada acquired Versace last year from Capri Holdings for €1.25 billion. The group borrowed €250 million to invest in relaunching the Italian fashion house, which struggled to scale up before the Capri buyout. Dialling back discounts, reducing its presence at outlet malls and pushing Versace back up market, where it used to squarely sit, should be the first order of business for Prada management and Versace’s new creative director, analysts have said.

Further Reading

Pieter Mulier Exits Alaïa After 5 Years

As the first creative director to succeed founder Azzedine Alaïa, Mulier rejuvenated the Paris-based brand with highly-refined, sculptural styles, bringing runway drama and spawning commercial hits like the Teckel bag and mesh ballerina flats.

Prada Group to Buy Versace for €1.25 Billion

Prada plans to invest an additional €250 million in relaunching Versace, which has struggled to keep up with bigger heritage brands since selling to Michael Kors parent Capri Holdings in 2018.

Pieter Mulier: Alaïa And I

A year into his tenure, the designer talks to Tim Blanks about wrestling with the riddle of one of fashion’s most intensely personal and technically challenging legacies.

About the author
Eric Sylvers
Eric Sylvers

Eric Sylvers is Milan Correspondent at The Business of Fashion. He is based in Milan and leads BoF’s coverage of all things Italian.

In This Article

© 2026 The Business of Fashion. All rights reserved. For more information read our Terms & Conditions

More from Luxury
How rapid change is reshaping the tradition-soaked luxury sector in Europe and beyond.

Swatch Group vs Morgan Stanley: It’s Time for Transparency

After Swatch Group launched an attack on Morgan Stanley’s influential annual watch report, Swatch-owned Tissot cracks open the door for a glimpse at some numbers and Robin Swithinbank says it’s time a secretive industry came clean on financials.


Is Armani Any Closer to a Stake Sale?

Half a year after Giorgio Armani’s death, it appears to be business as usual at the sprawling fashion empire while potential investors continue to circle with no firm bid in sight.


20 Years of Erdem: London’s Indie Survivor

How designer Erdem Moralioğlu’s label has outlived peers, surviving Brexit and the bankruptcies of Barneys, Matches and Saks with a consistent and soulful signature rooted in a fascination with the feminine, the tension between control and ‘undone-ness’ and an obsession with beauty.


view more
Latest News & Analysis
Unrivalled, world class journalism across fashion, luxury and beauty industries.
VIEW MORE
Agenda-setting intelligence, analysis and advice for the global fashion community.
CONNECT WITH US ON