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Armani Succession Plan, Always Mysterious, Is About to Get Tested

With Giorgio Armani’s death come questions about whether his chosen successors can avoid ‘rupture’ and maintain the Italian fashion empire’s independence.
Giorgio Armani
With Giorgio Armani’s death come questions about whether his chosen successors can avoid ‘rupture’ and maintain the Italian fashion empire’s independence. (Getty Images)

Giorgio Armani embraced his reputation as a meticulous micromanager who had a hand in everything big and small at the fashion juggernaut he founded and led for five decades until his death on Thursday at 91.

Whether the obsessive attention to detail that had Armani personally making last-minute alterations to garments backstage helped him create a viable succession plan has always been a mystery in Milan fashion circles. Even when Armani for the first time in his career missed several fashion shows in June due to health issues, he and his closest collaborators remained largely silent on the particulars of what would happen when he died.

Armani, who has no children, has spoken of passing the reins to his family members and his closest collaborator, Pantaleo Dell’Orco, the head of the men’s style office who has been with the company for more than 45 years. Armani has two nieces, the daughters of his late brother Sergio, and a nephew, the son of his sister, who have had various roles at the company through the years.

In an interview with the Financial Times published last week, Armani gave tantalising hints about a “gradual transition” that would avoid “rupture,” but as in the past, he remained vague on the particulars.

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It remains unknown, for example, who will become chief executive and chairman, positions Armani held onto until his death. How Armani’s 99.9 percent holding in his company will be portioned is also unknown. Some answers will emerge with the reading of Armani’s will in the coming days, but since the company isn’t publicly listed, there is no urgency for a clear plan on the company’s future to be made public.

“The day-to-day will continue without interruption, but the medium term is a lot fuzzier,” said David Pambianco, the chief executive of Pambianco, a Milan-based fashion industry consultancy. “Right now, it’s premature, but soon the family will have to decide whether they want the company to remain independent. Armani is small compared with the French conglomerates and the family will have to consider seriously about joining one if they want the company to continue to flourish.”

France’s LVMH and Kering have gobbled up countless Italian fashion houses in the past two decades and few large ones remain independent. Among those still on their own, Prada is controlled by the Prada-Bertelli family but is listed in Hong Kong. Armani and Dolce & Gabbana are the last of the larger Italian fashion houses that aren’t listed and aren’t part of a conglomerate. Forbes estimates Armani’s net worth, the vast majority of which is tied up in the value of the company, at about $12.1 billion.

“Giorgio Armani always made independence — of thought and action — his hallmark,” the company said in a statement announcing the designer’s death. “The company is, now and always, a reflection of this spirit. His family and employees will carry the Group forward in respect and continuity of these values.”

Armani resisted advances from LVMH and Gucci, now part of Kering, which made bids to buy the company in the late 1990s during a period of industry consolidation. In the years that followed, Armani remained coy on succession plans and decided against a stock market listing, which would have given the company funds to expand or buy rivals, but would have broken Armani’s total control of the company.

In 2016, Armani created the Giorgio Armani Foundation that has bylaws outlining how style directors would be appointed and stating that his heirs must wait five years after his death before initiating an eventual stock offering. The bylaws, which were never made public but have leaked in the Italian press, include details on the different classes of shareholders that will emerge following Armani’s death, but they don’t say who will be given which type of shares or how many.

Armani’s passing and the questions surrounding the company’s future come amid a general fashion industry slowdown. In 2024, Armani’s operating profit fell by a quarter to €398 million ($463 million), not including licences, while revenue dropped about 5 percent to €2.3 billion. The company has almost 9,000 employees.

“My plans for succession consist of a gradual transition of the responsibilities that I have always handled to those closest to me such as Leo Dell’Orco, the members of my family and the entire working team,” Armani said in the FT interview. “I would like the succession to be organic and not a moment of rupture.”

Further Reading

Giorgio Armani’s Multi-Dimensional Legacy

Herald of soft masculinity, outfitter of the working women’s revolution, the designer who dressed New Hollywood… Armani made a titanic impact on fashion and society, writes Angelo Flaccavento.

Giorgio Armani: Lion in Winter

Fashion’s most successful designer is finally in touch with his tender side after a career driven by perpetual dissatisfaction. In an exclusive interview, he looks back on his life and addresses the mysteries of his succession plan.

About the author
Eric Sylvers
Eric Sylvers

Eric Sylvers is Milan Correspondent at The Business of Fashion. He is based in Milan and leads BoF’s coverage of all things Italian.

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